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33 document(en) met "KNOW WHAT I KNOW" • Resultaten 21 tot 33 worden getoond

Nr. 88, September 2003 • Annie Declerck • In memoriam Joseph Chaikin (1935-2003)
effect we are joined to each other ... by what we don't understand...Chaikin bijna organisch verbonden: 'In playing "Endgame" one comes to know Beckett in a way that is a special way of knowing somebody

Nr. 92, Juni 2004 • Tom Janssens • Geen Prutswerk: Die Siel van die Mier...
Geen prutswerk DIE SIEL VAN DIE MIER (HET MUZIEK LOD & HET NET) vleermuizen What is it like to be a bat...want to know what it is like for a bat to be a bat...deny the reality or logical significance of what we can never de-scribe or understand is the crudest form of cognitive dissonance

Nr. 93, Januari 2004 • Elke Van Campenhout • De Escapist van de apocalypsgerieratie: De wondere...
Disinformation worden ze samengebracht onder de noemer 'Everythingyoti know is wrong...only thought you knew what you were until you read this book...Don't know who saw what, or what anyone thought, or what it all meant

Nr. 94, December 2004 • Patricia Portela • Flatland
But what if Flatlanders wanted to have space in Flatland too, that would require a Dimensional Expansion never dreamed of before, wouldn't it? I thought and thought and thought about these two...But at the time I could not know what kind of tragedy I was getting into...Well, I know what a fingerprint is, I just had not slid through one before

Nr. 100, Februari 2006 • Jacob Wren • Families are formed through copulation / Families...
He notices something has gone wrong but doesn’t know what and doesn’t think to ask...MOTHER I know you are. FATHER What I don’t understand is… (Father trails off...children will learn nothing from you. Is what you know really so valuable or important

Nr. 103, September 2006 • Shelly Silver • Shelly Silver
photograph him, but I don’t know what he’s doing here; what he wants to show me...what I’m looking for –––––– He writes from London: I saw your profile and found it very inspiring...He writes: I think you have in mind what I have in mind

Nr. 104, December 2006 • Jan Ritsema • Portret van een dooie kip als kunstenaar
they could know that art always should be the exception and not the rule) they only subsided the rule the what they could recognize as a performance his building they said was a project...nothing helped a performance, they said, needs the split between audience and stage a split between those who know (their text) and those who don’t know a split between the haves...recognize to what they think they belong too and to what belongs to them to what is known to them their past rejecting what eventually might have been possible what is unknown to them a possible future

Nr. 104, December 2006 • Ina Wudtke(dj T-Ina Darling) • The Residency
Don’t make me paint a bitch Be true to the art Like a spark, in the dark Let it shine, bring it on, bring it on! I got the big call I got to know what’s on !calm down...Don’t make me paint a bitch Be true to the art Like a spark, in the dark Let it shine, bring it on, bring it on! I got the big call I got to know what’s on !calm down...Don’t make me paint a bitch Be true to the art Like a spark, in the dark Let it shine, bring it on, bring it on! I got the big call I got to know what’s on !calm down

Nr. 108, September 2007 • Bram De Cock • Kwade olifanten en happende kettingzagen
Picasso zei ooit: “If you know exactly what to do, then what’s the point in doing it?” En gelijk heeft hij

Nr. 109, December 2007 • Manuela Zechner • Herinner je vandaag.
seems that the “internet”, this early precursor to what I grew up calling the “transpository”, was a particularly important site of activity for you then...Back then, that technology was not quite what it is today...But what was not quite possible yet, if I remember correctly, is the democracy function, in all the aspects we know today

Nr. 110, Februari 2008 • Pieter De Buysser, Christophe Van Gerrewey, Bram... • Minnelijke voorwerpen
discovered in a way another thing while I met this guy whose name I don’t know, who seems to have also been through things, but this I don’t know, it’s a mystery for me...because I had been focusing on this idea of love, and what if this guy here loved me, or what if I loved this guy, who I didn’t really know, but not taking it too seriously, mostly it was just this working...didn’t know it was me who was creating the script, but later on, with this music and her gaze, and with a little bit of concentration, when it didn’t matter anymore what people around us were doing

Nr. 112, Juni 2008 • Jeroen Peeters • Hoe zichzelf een houding geven, hoe zichzelf...
Waaraan Charmatz toevoegde: ‘After all these years, I still don’t know whether it was a problem for me, for her, or for dance...What you are going to see is not a performance

Nr. 113, September 2008 • Jeroen Peeters, Christophe Van Gerrewey, Anoek Nuyens,... • Kroniek
Such capacity to experience what should not belong to experience proper should not be confused with any sort of hysteria or histrionics...know you can hear me