80 document(en) met "More" • Resultaten 61 tot 80 worden getoond • Toon volgende resultaten
Nr. 95, Februari 2005 • De redactie • Etcetera = ...: Intentieverklaring van de nieuwe...
power and the more-or-less trivial aesthetics of everyday life...mode of criticality I perceive some possibility of narrowing the gap between some beings out there who have been called the "general audience" of culture and those of us who have been more critically
Nr. 96, April 2005 • Jeroen Peeters • Buiten/binnen: Berichten uit de studio
make together (sorry to be so basic, but it's a drastic changefrom the structure I've been in) is more important than the result, would it be an achievement to make this pointpresent in the "product
Nr. 97, Juni 2005 • Jeroen Versteele • Het cynisme voorbij
Less is more
Nr. 99, December 2005 • Maaike Bleeker • Moet theater de wereld redden?: Over We...
Imagine no more mountains, no more seas, no more deserts... Imagine no more snowstorms or avalanches, no more floods, no more earthquakes, no more adventure sports, no more adrenaline, no more...No more fiction, no more non-fiction, no more inspiration, no more imagination, no more soap operas and breaking news...No more Lord of the Rings, no more blonds, no more Mona Lisa, no more Marilyn Monroe and Marilyn Manson, no more underpaid artists, no more me, no more Mariene Dietrich
Nr. 99, December 2005 • Fin Novembre • Journal: A l'œil nu #4 Leuven
Although full of lies, they somehow seem more transparent than in the cinema
Nr. 99, December 2005 • Elke Van Campenhout • KUNST/WERK: Een zoektoch naar synergieën tussen kunst...
Thephilosophy is anchored in the conviction that the broader the spectrum of differences in the workplace, the richer the synergy among the employees and the more excellent the organization
Nr. 99, December 2005 • Ive Stevenheydens • Venetië versus Istanbul, wie heeft de grootste?
etcetera 99 009
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CAN YOU TURN MORE FRONTAL...Why don't Italian Women Artists Win More Prices
Nr. 100, Februari 2006 • Erwin Jans • Who’s afraid of representation?
Mroué laat de moordenaar verschillende motivaties voor zijn daad naar voren schuiven: financieel (‘My motives were financial, no more, no less: high cost of living, debts... what was I supposed to do...sectair (‘My motives were sectarian, no more, no less...psychologisch (‘My motives were psychological, no more, no less
Nr. 100, Februari 2006 • Jacob Wren • Families are formed through copulation / Families...
She had hitch-hiked more than me, she was more experienced in a lot of ways...So when’s your turn,’ asks the relative, who is also perhaps more than a little bit drunk by this point in the late afternoon, meaning of course when will it be your turn to get married...perspective, makes all the other things more meaningful than they would otherwise ever be. Nothing is the epiphany
Nr. 100, Februari 2006 • Elke Van Campenhout • Edito
Going from science to politics, is not, for her, going from stringent constraints to more relaxed ones, but keeping exactly the same objectives with a total indifference to what is science and what
Nr. 101, April 2006 • An van Dienderen • Afkicken van representatie
stories and opinions of the audiovisual world with the everyday world - which is becoming more fragile every day...any attempt to portray it as anything more than the representation of one sort of life in the categories of another impossible to defend
Nr. 103, September 2006 • Stef Lernous • Raffael Pascoe: auteurschap in de pornocinematografie
There’s nothing more enthralling than to fondly masturbate...Baumbach: ‘Tell me more about your preoccupation with perfection...Raffael Pascoe: ‘...a new movie... something altogether different... more playful... childlike if you will... back to the very essence... of cinema, copulation and therefore of life itself... we had auditions
Nr. 104, December 2006 • Thomas Crombez • Massakunst en gemeenschaps drama
De geschiedenis leert ons dat cultuur juist heel vaak is gebruikt om sociale scheidingen te benadrukken en om de indruk te bevestigen that some are more equal than others
Nr. 104, December 2006 • Ina Wudtke(dj T-Ina Darling) • Resident Blues
year I am back And I hope by then I am doing good
superficial grant
The money that I gonna get Would be at home more than I’ve ever had But in this foreign land again it will be hard to meet
Nr. 104, December 2006 • Jan Ritsema • Portret van een dooie kip als kunstenaar
absence of a performance ( for them) not for the theatre director and performer himself for him it was a performance a more than live performance a bigger than live performance this area of exchange and merging...monument, yes But without a structure, almost More an intelligent process itself Art making alike paf is an artwork
meer informatie over paf :
www.paf.net
Nr. 105, Februari 2007 • Tor Lindstrand • The Theatre
More the real thing than Coke, a just done it in relation to Nike, it is free your mind and the rest will follow
Nr. 105, Februari 2007 • Jo Huybrechts, Elke Van Campenhout, David Berge • Potentie in plaats van polyvalentie
Pieter T'Jonck, 'More songs about buildings and theater...' in Van Den Dries, De Belder en Tachelet (ed), De Verspeelde werkelijkheid, Verkenningen van Theatraliteit, Van Halewyck, Leuven, 2002
Nr. 105, Februari 2007 • Christophe Van Gerrewey • Blanco
De deejay speelt Rose Rouge van Saint-Germain: I want you to get together, put your hands together one more time..., elegant gemixt met Satisfaction van The Rolling Stones
Nr. 108, September 2007 • Anne Dekerk, Maarten Soete • 6 Sound Questions
Which is more musical, a truck passing by a factory or a truck passing by a music school...ong
‘We are more offended when a loud car tears down the street than when an ugly one does
Nr. 109, December 2007 • Christophe Van Gerrewey • Zeit: Gegenwart
Het komt er op neer dat het theater in de eerste plaats ‘uiterlijk’ modern moet zijn, en dat impliceert ook hier de leuze less is more: geen ornament, geen overdaad, geen illustratie, geen
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