Archief Etcetera

135 document(en) met "One" • Resultaten 101 tot 120 worden getoond • Toon volgende resultaten

Nr. 91, April 2004 • Rudi Laermans • Hedendaagse dans, wat is dat?: Petite leçon...
One does not easily give up one's identity, een 'geloofsgemeenschap' geeft niet zonder slag of stoot haar gedeelde credo op

Nr. 91, April 2004 • An van Dienderen • Collectiviteit in beeld: Het productieproces van The...
enter a zone where the world put before us lies between one not our own and one that very well might be, between a world we may recognize as a fragment of our own and one that may seem fabricated...etcetera 91 ()!) O 47 Productieproces als kritische site A documentary aware ofits own artifice is one that remains sensitive to theflow between fact

Nr. 92, Juni 2004 • Rud Vanden Nest • De nutteloze helden: Cembloux van Ben Hamidou...
zijn recente One Hitman Show). Hijzelf en zijn medespeler Hamidou verschijnen dan ook als regelrechte entertainers -allebei netjes in jeans plus colbertjasje- en richten zich direct tot het publiek

Nr. 92, Juni 2004 • Mummy mummy Where did you go My...
having sex created life And as soon as they were sure they took over And they started to introduce their systems Their systems based on the fact that Having sex creates life One plus one is two

Nr. 92, Juni 2004 • 
was a girl/just a girl/one of the girls/girlish eyes /girlish mouth/dressed girlish9 Vertrekkende van een analyse van de muziek van Steve Reich, is Fase (1982) in zijn geheel een uitwerking

Nr. 92, Juni 2004 • Katleen Van Langendonck • 'De essentie van verleiden is transformatie': Geslacht,...
was a girl/just a girl/one of the girls/girlish eyes /girlish mouth/dressed girlish9 Vertrekkende van een analyse van de muziek van Steve Reich, is Fase (1982) in zijn geheel een uitwerking...sex created life And as soon as they were sure they took over And they started to introduce their systems Their systems based on the fact that Having sex creates life One plus one is two

Nr. 93, Januari 2004 • (advertentie)
MUM project, Apparat Organ Quartet, Nuuk Posse meet Dj's Grazzhoppa en Lamont, Kitchen Motors, Peter Vermeersch meets Johann Johannsson, Erna Omarsdottir, Think of One & Inuit keelzangers, Trabant

Nr. 93, Januari 2004 • Jeroen Peeters • Schimmenspel als herinneringsarbeid: Het documentaire theater van...
How does one write a history of civil war in Lebanon...urge you to approach them as we do, as 'hysterical symptoms' based not on any one person's actual memories but on cultural fantasies erected from the material of collective memories

Nr. 93, Januari 2004 • Myriam Van Imschoot • He says space, she thinks time
SHE REPLIES'THIS LANGUAGE DOES NOT APPLY HERE'. THERE IS NO ONE TO BLAME INTHIS PIECE...SHE SAYS 'IT'S TOO LATE'. SHE SAYS 'I'LL BE RIGHT BACK'. SHE SAID IT ONE MONTH AGO

Nr. 93, Januari 2004 • Elke Van Campenhout • De Escapist van de apocalypsgerieratie: De wondere...
audience gathered together in one hotel room and peered through telescopes and binoculars while I performed supposedly auto-erotic activities in my own room, across the courtyard, all alone

Nr. 94, December 2004 • Elke Van Campenhout • Salzburg lied to us
One of our agents sneaked in discretely and found out there were no fans of Greece in the group sitting in there...HORSESHITTwo of our agents were talking with one of the men who clean the streets of Salzburg from horseshit...guy tried to fuck a girl on one of the souvenir stands, he laughed

Nr. 94, December 2004 • Patricia Portela • Flatland
sounds difficult, but in fact, for a flatlander it's natural and considered one of the most exciting sports...had already invented cubes like the one that took me so long to build...Well, I know what a fingerprint is, I just had not slid through one before

Nr. 94, December 2004 • Bojana Cvejić • Curator meets artist
niet-commercieel werk, waarbij de onafhankelijkheid van de kunstenaar wordt afgemeten op de maat van a room of one's own (zoals Virginia Woolf ooit de noodzakelijke voorwaarde omschreef voor een vrouw om...het opentrekken van de room of one's own een manier kunnen zijn voor kunstenaars en andere betrokkenen om ongekende kaders te creëren waarmee het werk zich kan ontwikkelen in de richting van meer gedurfde

Nr. 95, Februari 2005 • 
perspective it is possible that I regard an 'aesthetic' approach as being just as relevant as a 'political' one...activity without the one and only control system behind). If I dare to use words like :'direct','with an attitude/statement','deutliche privatmarotten', 'work that leaves space for an audience','work

Nr. 95, Februari 2005 • Elke Van Campenhout, Bojana Cvejić • The Mapping
regard an "aesthetic" approach as being just as relevant as a "political" one

Nr. 95, Februari 2005 • De redactie • Etcetera = ...: Intentieverklaring van de nieuwe...
mean that criticality, while building on critique, wants nevertheless to inhabit culture in a relation other than one of critical analysis, other than one of illuminating flaws, locating elisions...One is after all always operating out of a contingent position, always seemingly at fault...one does not learn something new until one unlearns something old; otherwise, one is simply adding information rather than rethinking a structure

Nr. 96, April 2005 • Bruno Pocheron • Reactive(s)
Engelstalige versie van je tekst op www.sarma.be: 'I walk freely from one performance to another and engage in talks with the dance-makers; ideally this resembles paying a visit to artists' studios...Ik beëindig deze brief met een uitspraak van Brian Massumi, die helemaal op het einde van Parables for the virtual schrijft: 'There is only one general principle in ethics: no process line has the God

Nr. 96, April 2005 • Jeroen Peeters • Buiten/binnen: Berichten uit de studio
All that one can do is proceed inside this tear, vibrate at the borders of memory...Met Giorgio Agamben: To be potential means: to be one's own lack, to be in relation to one's own incapacity...One is drawn into the zone of indistinction between the inside and the outside, the private and the public, the exception and the example, the free and the controlled

Nr. 99, December 2005 • Maaike Bleeker • Moet theater de wereld redden?: Over We...
Imagine just one long-stretched time experience...so fucking difficult to imagine the world would be as one

Nr. 99, December 2005 • Fin Novembre • Journal: A l'œil nu #4 Leuven
cliché, but life is one big lie...difficult one...One cat I know (Minki) died this week, another one (Chatta) is dying