Archief Etcetera

142 document(en) met "What I" • Resultaten 101 tot 120 worden getoond • Toon volgende resultaten

Nr. 91, April 2004 • Tom Janssens • Claustrofobische allures van een merknaam: Robert Wilsons...
understood what he wrote...am the kind of artist who does not want to pretend to understand what he is doing because I think that is a lie

Nr. 91, April 2004 • An van Dienderen • Collectiviteit in beeld: Het productieproces van The...
use indexical to refer to signs that bear a physical trace of what they refer to, such as fingerprint, X ray, or photograph).' (Nichols 1994) Omwille van deze indexicale kwaliteit worden...zoals Sol Worth het formuleerde: 'trying to understand .. how and why, and in what context, a particular articulator structu-red his particular statement about the world'. Het onderzoek neemt zowel

Nr. 92, Juni 2004 • Tom Janssens • Geen Prutswerk: Die Siel van die Mier...
Geen prutswerk DIE SIEL VAN DIE MIER (HET MUZIEK LOD & HET NET) vleermuizen What is it like to be a bat...want to know what it is like for a bat to be a bat...deny the reality or logical significance of what we can never de-scribe or understand is the crudest form of cognitive dissonance

Nr. 93, Januari 2004 • Jeroen Peeters • Schimmenspel als herinneringsarbeid: Het documentaire theater van...
clear that they do not present a chronicle to posterity of the events and deeds of the war, a record of 'what happened'. Instead they offer an image oj what can be imagined, what can be said, what...taken for granted, what can appear as rational or not - as thinkable and sayahle about the war and about the possibilities and limits of writing its history

Nr. 93, Januari 2004 • Tom Janssens • Kernpunt van een leeglopende wasbak: Tannhaüser: Jan...
always get what yoti want: het zou niet misstaan op de soundtrack van Scorsese's Life lessons

Nr. 93, Januari 2004 • Myriam Van Imschoot • He says space, she thinks time
HE SAYS 'IT'S JUST A BIT FLOODED IN THERE'. HE SAYS'ITWASSUPPOSEDTO WORK OUT'. HE ASKS 'WHAT KIND OF PROMISE WAS THAT'? HE FEELS 'IT DOES NOT MAKE SENSE'. HE SAYS HE KNOWS HIS RIGHTS

Nr. 93, Januari 2004 • Elke Van Campenhout • De Escapist van de apocalypsgerieratie: De wondere...
only thought you knew what you were until you read this book...Don't know who saw what, or what anyone thought, or what it all meant

Nr. 94, December 2004 • Elke Van Campenhout • Salzburg lied to us
Just like an unsatisfied stander-by answered after being asked what she thought of the performance, that she thought 'they'd better do it in their own country, because it would be better for them...What is an action...what they understood, they depicted that he expressed quite some aggression against the city, the horses, and the tourists here

Nr. 94, December 2004 • (inhoud)
What a body you have, honey van Eszter Salomon Het dubbelleven van een begeerde vrouw Jeroen Versteele over Sylvia Kristel - Paris, een film waarin Manon de Boer een bijzonder portret

Nr. 94, December 2004 • (colofon)
Andonderonikustmijnklote Walter Hus en Jan Ritsema 24 What a body you have, honey Eszter Salomon / Le Kwatt & in situ production 44 www.detijdschriften.be SI Ministerie van dc Vlaamse Gemeenschap

Nr. 94, December 2004 • Patricia Portela • Flatland
what I had seen when I was trapped outside the horizon line...Well, I know what a fingerprint is, I just had not slid through one before...naar What a body you have, honey van Eszter Salomon

Nr. 94, December 2004 • Bojana Cvejić • Curator meets artist
body and ask what it does to earn that name, two things stand out

Nr. 94, December 2004 • Pieter T'Jonck • Theater als showbusiness: De ondraaglijke lichtheid van...
What's going on? I try all the time in this institution...Just go for it!' 'But what was it again

Nr. 95, Februari 2005 • Elke Van Campenhout, Bojana Cvejić • The Mapping
So, what is there left for art to do...first demand from the public and politicians comes with the guestion: what are your large-scale productions this year...So, what is left for art to do

Nr. 95, Februari 2005 • De redactie • Etcetera = ...: Intentieverklaring van de nieuwe...
must shatter the balance of consent, by flooding daylight on exactly what a society consents to, how it tolerates the intolerable...Criticality is therefore connected in my mind with risk, with a cultural inhabitation that acknowledges what it is risking without yet fully being able to articulate it. "Criticality" as I perceive

Nr. 96, April 2005 • Jeroen Peeters • Buiten/binnen: Berichten uit de studio
Het klinkt vanzelfsprekend, maar voor ex-Rosasdanser Alix Eynaudi is het dat allerminst: 'What Ifind verypositive in thisproject is the fact that everyone agrees on thefact that the way we're going

Nr. 97, Juni 2005 • Thomas Crombez • Daddy's place : over avant-garde, blijmoedige kunst...
Tania Ørum begon haar lezing met de wonderlijke zin van Gertrude Stein: ‘Let me recite what history teaches

Nr. 98, Januari 2005 • Pieter T'Jonck • Intimiteit, intimidatie
So what...Met soms eigenaardige gevolgen: kunstenaars werden allengs vaker ‘facilitators’ die opgetrommeld werden om op bijzondere plekken But what is it that makes today’s homes so appealing...de collage But what is it that makes today’s homes so different, so appealing

Nr. 99, December 2005 • Bojana Kunst • Samenwerken en ruimtelijkheid
Tentoonstelling: Collective Creativity, samengesteld door: What, How & for Whom / WHW (Ana Devic, Natasa Ilic, Sabina Sabolovic, Ivet Curlin), Kunsthalle Fridericianum, Kassei, 1.5.2005-17.7.2005...Charles Esche: 'What's the point of Art Centers Anyway...Possibility, Art and Democratic Deviance', http://www.republicart.net/disc/institution/ esche01_en.htm 7 Charles Esche, 'What's the Point of Art Centres Anyway

Nr. 99, December 2005 • Ive Stevenheydens • Venetië versus Istanbul, wie heeft de grootste?
What Sex Issues Are Rocking This One