Archief Etcetera

41 document(en) met "Were" • Resultaten 21 tot 40 worden getoond • Toon volgende resultaten

Nr. 82, Juni 2002 • Raf Geenens • Eeuwige liefde en een zorgeloos huwelijk
Two swans, two white swans in the sea were swimming in the sea Een tweede reeks ingrepen van Jan Fabre betreft het choreografisch materiaal, de spreekwoordelijke ruggengraat van elk

Nr. 82, Juni 2002 • Gert Verschraegen • De wereldmedia en de grenzen van het...
were not sufficient violence or invasion of individual rights, the elimination of the physical bodies of the electric media users also deprives them of the means of relating the program experience

Nr. 85, Februari 2003 • Wouter Hillaert • De nieuwe politieke cultuur uit Scandinavië: Nordic...
Art equals politics, het motto van de Noors-Iraanse choreograaf Hooman Sharifi in Sitch silence since the cries were last heard, had gerust ook de slagzin kunnen zijn van het hele festival

Nr. 87, Juni 2003 • Maaike Bleeker • Ik zie ik zie wat jij (niet)...
Ik zie ik zie wat jij (niet) ziet DE LEVENS-KUNST VAN GIL & MOTI Maaike Bleeker They were two young men who were charming as sweets...They looked at their ties and laughed and were pleased...boys didn't mind as much as they might, For they were artists and that was their plight

Nr. 90, Februari 2004 • Geert Six • Zèn in't volk geschôtn: Geert Six i.s.m....
zeer één met mijne vent één met de vader Onze Tuur die in verte zijt geheiligd is uw naam gij moet were keren uw lieve woorden willen we lioren geef ons voor

Nr. 91, April 2004 • Tom Janssens • Claustrofobische allures van een merknaam: Robert Wilsons...
went against everything they were doing

Nr. 92, Juni 2004 • Mummy mummy Where did you go My...
Mummy mummy Where did you go My mother was a woman A real woman Like women used to be In old times When they were still in charge Instead of men The old times In the new times When men took...Men gave women their power Because they created new life (...) This divine fact gave women the right to rule Men were only thinking about having sex all day (...) They discovered...having sex created life And as soon as they were sure they took over And they started to introduce their systems Their systems based on the fact that Having sex creates life One plus one is two

Nr. 92, Juni 2004 • Katleen Van Langendonck • 'De essentie van verleiden is transformatie': Geslacht,...
Mummy mummy Where did you go My mother was a woman A real woman Like women used to be In old times When they were still in charge Instead of men The old times In the new times When men took over...gave women their power Because they created new life (...) This divine fact gave women the right to rule Men were only thinking about having sex all day (...) They discovered that having...sex created life And as soon as they were sure they took over And they started to introduce their systems Their systems based on the fact that Having sex creates life One plus one is two

Nr. 93, Januari 2004 • Myriam Van Imschoot • He says space, she thinks time
WERE THEY LOOKING FOR A VITAL GEOMETRY

Nr. 93, Januari 2004 • Elke Van Campenhout • De Escapist van de apocalypsgerieratie: De wondere...
only thought you knew what you were until you read this book...our parents were never the wiser

Nr. 94, December 2004 • Elke Van Campenhout • Salzburg lied to us
One of our agents sneaked in discretely and found out there were no fans of Greece in the group sitting in there...Two more people were involved, and one agent, who met this person per coincidence after this act, got information about it (the SSSA will maybe publish the name of this person later on). Stuart, so...About the contents of this confession the information is not very clear, (source 016, oral report) There were two videos shot

Nr. 94, December 2004 • Patricia Portela • Flatland
Those were observational rays, and that means behind those rays there were eyes, and around those eyes there were 3D bodies -of course...were making me go to the third dimension and once you stopped looking I would go back...course I could not connect this foreign country with Spaceland because the lights were always off on your side, so I could not see you. And lights were always on on my side, so you could always watch

Nr. 96, April 2005 • Bruno Pocheron • Reactive(s)
enter a performance as if it were a workplace and I, a curious, disinterested (in terms of pragmatic interests) onlooker seek emerging directions, possibly indications ofnew perspectives on dance

Nr. 100, Februari 2006 • Erwin Jans • Who’s afraid of representation?
Mroué laat de moordenaar verschillende motivaties voor zijn daad naar voren schuiven: financieel (‘My motives were financial, no more, no less: high cost of living, debts... what was I supposed to do...sectair (‘My motives were sectarian, no more, no less...psychologisch (‘My motives were psychological, no more, no less

Nr. 100, Februari 2006 • Jacob Wren • Families are formed through copulation / Families...
So me and Eva, you can probably imagine a bit how it was – a few nights of awkward, stumbling sex, when we could find a place that was private and we were both drunk enough to no longer be afraid...was simply the way we were and we continued...middle-aged man, a well-known writer, sits down one day and writes a letter to his parents letting them know everything they’ve ever done wrong, why they were bad parents, everything they ever did

Nr. 100, Februari 2006 • Elke Van Campenhout • Edito
knew what it was we were doing, it would not be called research, would it?’ Albert Einstein De ontwikkeling van kunst vindt vandaag de dag plaats in laboratoria, en heet

Nr. 103, September 2006 • Stef Lernous • Raffael Pascoe: auteurschap in de pornocinematografie
Indra Kapoor (VO): ‘There were so few with us. My goodness

Nr. 104, December 2006 • Jan Ritsema • Portret van een dooie kip als kunstenaar
perspective a historical split undone but still they didn’t want to pay for it the subsidy distributors they were convinced that this wasn’t a performance they knew this wasn’t even art either (although...initiative, yes, but no performance praiseworthy yes but not eligible for subsidies not as some kind of art in general, let alone as a performance never mind how many actors were involved how accessible

Nr. 108, September 2007 • (Advertentie) • (Advertentie)
TRISTERO, Abigail’s Party • IVANA MÜLLER, While We Were Holding It Together • TINE VAN AERSCHOT & CLAIRE MARSHALL, I have no thoughts, and this is one of them • FORCED ENTERTAINMENT, First Night

Nr. 108, September 2007 • Anne Dekerk, Maarten Soete • 6 Sound Questions
Zo creëerden we een geïsoleerde, individuele omgeving voor elke toeschouwer (de stem begeleidde je bij de creatie van je eigen fantasie in je hoofd). In het stuk met Ivana Müller, While we were