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53 document(en) met "No One" • Resultaten 21 tot 40 worden getoond • Toon volgende resultaten

Nr. 64, Juni 1998 • Steven Heene • Een schokkende sint-vitusdans
Vertaald met de woorden van het op de valreep verrassend hoopvolle medEia: 'It is okay that we make mistakes / No one on this level is perfect / It is okay to try and make mistakes / That is part

Nr. 66, December 1998 • Gert Keunen • Het theatrale in de popmuziek
Onder het motto 'One nation under a groove' krijgen het overdreven uiterlijke vertoon en de naïeve verhaaltjes die een funkopera pretenderen te zijn opeens zin...schrijven eind jaren zeventig, begin jaren tachtig: de hoogdagen van de zogenaamde postpunk, een willekeurige verzamelnaam voor allerlei noise, no wave en industriële muziek die de punkidealen tot het

Nr. 69, Januari 1999 • Myriam Van Imschoot, Rudi Laermans • De sprong van Nijinski
vormelijkheid en de idee van een vrije lichamelijkheid (let wel: de idee, dus de representatie daarvan: no bodily essentialism allowed). Zoals gezegd zorgt deze spanning tot op de dag van vandaag voor een cruciaal...stellen (in de betekenis van het Duitse woord darstellen). Jan Fabre is daar in de jaren tachtig met The Dance Sections en The Sound of One Hand Clapping bijzonder ver in gegaan

Nr. 73, Januari 2000 • Gerald Siegmund • Het geheugen van ballet
Text should itself be nothing other than text, research, textual activity, since the Text is the social space which leaves no language safe, outside, nor any subject of the enunciation in position as judge...door Yvonne Rainer in haar beroemde 'No'-manifest in 1965 geformuleerd werden: 'NO to spectacle no to virtuosity no to transformations and magic and make-believe no to glamour and image... no to involvement of performer or spectator no to style ... no to eccentricity no to moving or being moved

Nr. 78, Januari 2001 • Matthew Naguire, Jim Ciayburgh, Dries Moreels • Transatlantische vragen: Een jaar e-mailcorrespondentie tussen Matthew...
De auteur, Thomas Frank, stelt: 'And as the corporate universe gradually subsumes what remains of independent cultural production, we can no doubt look forward to advertising people announcing...perhaps mentioned the train as it... Alentejo Seen From The Train Nothing with nothing around it And a few trees in between None of which very clearly green, Where no...Words go there in couples, with one single exception: the name of the Lord

Nr. 80, Februari 2002 • Meereizen met de windstilte: NO WIND. NO...
NO WORD, CHOREOGRAFEN-PORTRETTEN VAN HELMUT PLOEBST Meereizen met de windstilte No wind, no word: elke dag kent een moment waarop de nacht zal overgaan in de...Hij doet echter meer dan een trend naar een universele performativiteit opmerken, en ik citeer een in mijn ogen belangwekkende passage: 'In all these cases, what is attempted is no playful...amalgamation of authorship and authorium, but - and that is one of the great achievements of the aforementioned choreographers - a re-orientation of the exchange of gifts through an expansion of identification

Nr. 88, September 2003 • Annie Declerck • In memoriam Joseph Chaikin (1935-2003)
Edward Albee bestempelde deze voorstelling als 'one of the most exciting things I ever saw, or any of us ever saw...Zijn werken en denken blijven nochtans constant in beweging: 'I can only say that my life and views change radically from one period to another...died the day I was boni and became an angel on that day since then there are no days there is no time 1 am here by mistake Ook met het werk van Beckett

Nr. 89, December 2003 • De kunst van het overleven: Jochen Rollers...
Want in zijn avondvullende one-man show stelt de Hamburgse choreograaf vragen die in een niet zo verre toekomst alleen maar relevanter zullen worden...teil 1: no money, no love teil 2: art gigolo tekst, choreografie en performance Jochen Roller artistieke assistentie atigelo Cuerreiro (deel i), Florian Feigl (deeb) bijkomende

Nr. 91, April 2004 • An van Dienderen • Collectiviteit in beeld: Het productieproces van The...
enter a zone where the world put before us lies between one not our own and one that very well might be, between a world we may recognize as a fragment of our own and one that may seem fabricated...etcetera 91 ()!) O 47 Productieproces als kritische site A documentary aware ofits own artifice is one that remains sensitive to theflow between fact...there is no strict equivalence between stories of conflict and everyday life

Nr. 93, Januari 2004 • Myriam Van Imschoot • He says space, she thinks time

Nr. 94, December 2004 • Elke Van Campenhout • Salzburg lied to us
One of our agents sneaked in discretely and found out there were no fans of Greece in the group sitting in there...Two more people were involved, and one agent, who met this person per coincidence after this act, got information about it (the SSSA will maybe publish the name of this person later on). Stuart, so...clear whether one of these videos will be presented to the public or not. On the other hand it's obvious that Stuart is really pissed about the slow dynamics of the government

Nr. 94, December 2004 • Patricia Portela • Flatland
had already invented cubes like the one that took me so long to build...accidentally discovered a strange letter like this: I thought it was such an amazing letter with so many lines that no doubt it had to have a lot of meanings...Edward R. Tufte Flatpeople Euclides Nightmare Letters and James Bond was out there living the real one

Nr. 95, Februari 2005 • Elke Van Campenhout, Bojana Cvejić • The Mapping
Annemie Vanackere, artistieke leiding Rotterdamse Schouwburg en Productiehuis Rotterdam) 'First it is important for me to have no con-straints in the choice of medium but to ensure...regard an "aesthetic" approach as being just as relevant as a "political" one...No wonder that less choreographers focus on the invention of body language - apart from being an aesthetic choice, this is a conseguence of working conditions

Nr. 96, April 2005 • Bruno Pocheron • Reactive(s)
Engelstalige versie van je tekst op 'I walk freely from one performance to another and engage in talks with the dance-makers; ideally this resembles paying a visit to artists' studios...Ik beëindig deze brief met een uitspraak van Brian Massumi, die helemaal op het einde van Parables for the virtual schrijft: 'There is only one general principle in ethics: no process line has the God

Nr. 96, April 2005 • Jeroen Peeters • Buiten/binnen: Berichten uit de studio
Met Giorgio Agamben: To be potential means: to be one's own lack, to be in relation to one's own incapacity...out, you can be on stage or off stage, you are working or not. (...) There are no fixed positions in societies ruled by the microphysics of power...One is drawn into the zone of indistinction between the inside and the outside, the private and the public, the exception and the example, the free and the controlled

Nr. 99, December 2005 • Maaike Bleeker • Moet theater de wereld redden?: Over We...
Imagine no more mountains, no more seas, no more deserts... Imagine no more snowstorms or avalanches, no more floods, no more earthquakes, no more adventure sports, no more adrenaline, no more...No more fiction, no more non-fiction, no more inspiration, no more imagination, no more soap operas and breaking news...No more Lord of the Rings, no more blonds, no more Mona Lisa, no more Marilyn Monroe and Marilyn Manson, no more underpaid artists, no more me, no more Mariene Dietrich

Nr. 99, December 2005 • Martin Nachbar • Hoe word ik een indringer, of: hoe...
13h46 Another one...No, I want to buy it. nederiands

Nr. 100, Februari 2006 • Erwin Jans • Who’s afraid of representation?
Mroué laat de moordenaar verschillende motivaties voor zijn daad naar voren schuiven: financieel (‘My motives were financial, no more, no less: high cost of living, debts... what was I supposed to do...sectair (‘My motives were sectarian, no more, no less...psychologisch (‘My motives were psychological, no more, no less

Nr. 100, Februari 2006 • Jacob Wren • Families are formed through copulation / Families...
was still at the time when no one was talking about it over there, before it had become entertainment, before it had become such a profitable industry...same number of nuclear warheads and using any of them will result in mutual assured destruction and no one wants that because essentially everyone wants to little more than a thought, a bit of whimsy, a pre-copulatory, never conceived twinkle in the eye of no one in particular and here is what I have learned

Nr. 101, April 2006 • An van Dienderen • Afkicken van representatie
Ruiz 1995: 14). '... the criteria according to which most of the characters in today's movies behave are drawn from one particular culture (that of the USA). In this culture, it is not only...documentary can easily thus become a "style": it no longer constitutes a mode of production or an attitude toward life, but proves to be only an element of aesthetics (or anti-aesthetics), which...Asad 1986: 164) 3 'The technologies of seeing bring us ever closer to a sort ofBorgesian map of reality - one that corresponds at all points with the external world - but as they do so, they

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